#Adobe premiere pro vs final cut pro full
#Adobe premiere pro vs final cut pro Pc

The various bullet points above are manifested in the user experience and notable speed improvements in the new Premiere Pro CS5.5 platform, as well as in added stability, new interface improvements and enhanced cross platform and application compatibility. Changes from Apple with regard to the “upgrade” from Final Cut Pro 7 to Final Cut Pro X.Advances in more seamless integration between the various Adobe applications.Vast improvements in the current Adobe CS5.5 rendering engine and overall platform.The key factors in this pivot back in the Adobe direction (which I might more aptly term a seismic shift) are: We all tend to resist change somehow, especially with a so-called winning combination, but sometimes old habits can and do work against you, especially now that the pendulum is swinging back the other direction in regard to non-linear video editing platforms and the post-production workflow within the studio. The learning curve for Final Cut Pro 7 was not at all steep and we gravitated toward it quite easily. After months of frustration, computer lockups, crashes and the like, one of our squeaky wheel operatives within the Media Design crew convinced us toward the Mac, and along with that came Final Cut Pro.

#Adobe premiere pro vs final cut pro Pc

We were originally more of a PC-based studio for many years, and as we went non-linear, the logical choice was to utilize Premiere (before it became Premiere Pro) since we then had the machines to run it, and the traditional integration of all of the Adobe applications was always a major plus.Įventually we reached a turning point a few years ago, because of PC system instability, and the numerous difficulties that we were experiencing with the PC platform. At Media Design Multimedia studios in San Marcos, Texas we have had both Final Cut and Adobe Premiere installed for some time now.

#Adobe premiere pro vs final cut pro full

The question now is:įinal Cut Pro 7 (or “upgraded” Final Cut Pro X)?Īdobe Premiere Pro and the full arsenal of CS5.5 ? So as we’re heading back into the studio, we are now faced with a a decision. Now there is work to be done after the fact. The point of saying this is that as careful as we were to conquer every reasonable detail at our control, from the nuance of lighting, to sound proofing to audio sweetening, transgressions did indeed manifest themselves despite our best efforts. We’re about to delve into the inevitable post production process, as the result of the imperfect world of live HD switching, archiving and streaming, and inherent errors that can and did occur during these three life-altering days of shooting and recording 33 of the most established Nashville artists as well as the hottest, most promising new musical acts. It’s been a heck of a production week, and I’m exhausted but happy and finally on the home stretch as I write this article in the waiting area of the Nashville airport, heading home from the MusicFog Streaming Marathon.